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ELIXIR OF LOVEDEATH: TRISTAN IN SEATTLE
THRILLING TOSCA, TEDIOUS TENDER LAND, MIS-DIRECTED TOLOMEO AT GLIMMERGLASS
GILBERT & NY PHIL IN BEETHOVEN’S MISSA AND LINDBERG PREMIERE
FLEMING AND SIX TENORS IN ROSSINI’S FANTASTIC “ARMIDA”
THREE SUITORS IN SEARCH OF A QUEEN – HANDEL’S “PARTENOPE” AT NYCO
PIANOS AND PERCUSSION RULE AT MERKIN
SUPERBLY ABSURD NOSE-ON-THE-RUN
CHARPENTIER AND PURCELL IN THE SPOTLIGHT AT BAM
VERDI’S HUN, WITH MUTI LEADING, COMES TO THE MET
MINNESOTA SCORES KNOCKOUT WITH SIBELIUS’ “KULLERVO”
ITALIAN OPERA WORLD PREMIERE AT DICAPO
BARITONE-TINGED DOMINGO AS MET’S BOCCANEGRA
PAPA HAYDN AND HIS “WORLD OF THE MOON” AT THE HAYDEN PLANETARIUM
VERDI’S STIFFELIO – A DARK, DOMESTIC DRAMA – AT THE MET
ENSEMBLE DU MONDE FEATURES SAINT-GEORGES, MOZART AND BEETHOVEN
AT LAST! A “CARMEN” TO FASCINATE THE EYE AND EAR
MEDIEVAL ENGLAND COMES TO THE MET MUSEUM
SUSAN BULLOCK AS MET’S NEW ELEKTRA
“ONE EVENING” – KATIE MITCHELL’S SCHUBERT-BECKETT FUSION PIECE
THE GAMUT OF EMOTIONS – “TRITTICO” AND “HOUSE OF THE DEAD"
WEISGALL’S BIG-BONED, DEADLY SERIOUS “ESTHER” REVIVED AT NYCO
SIX PIANOS MAKE A BIG NOISE IN MONTRÉAL
NEW ALDEN STAGING OF “DON GIOVANNI” AT NYCO
SHARP, WITTY “BARBER” AT MET
NEW “TOSCA” NOT A PRETTY PICTURE AT THE MET
CINDERELLA, VIOLETTA AND DIDO AT GLIMMERGLASS
CRUTCHFIELD LEADS SUPERB “SEMIRAMIDE;” MEADE, GENAUX SHINE
YO-YO MA'S MUSICAL GUIDE TO THE SILK ROAD (AND BEYOND)
VOIGT DISAPPOINTS IN “ALCESTE” DEBUT WITH NYCO
BARENBOIM MAHLER NINE A QUALIFIED SUCCESS
BARENBOIM’S MAHLER FOR MICROMANAGERS
HANDEL’S “ATHALIA” IN ROUSING PERFORMANCE LED BY BOLTON
BOULEZ MAKES HASH OF MAHLER EIGHTH
WAS THAT JULIA CHILD WITH THE AUSTRALIAN CHAMBER ORCHESTRA?
DAVID DANIELS AND ENGLISH CONCERT IN BACH AND HANDEL
OPRPHEUS CHAMBER ORCHESTRA IN WORLD PREMIERE BY MELINDA WAGNER
YOUNG LOVE BEAUTIFULLY CUT SHORT IN NEW “WEST SIDE STORY”
BELLINI’S “SONNAMBULA” DRAMATICALLY SENSELESS AT THE MET; SINGERS SHINE
GOTHAM CHAMBER OPERA PRESENTS HAYDN’S ENCHANTED “ISOLA DISABITATA”
OPERA LAFAYETTE PRESENTS MONSIGNY’S “LE DÉSERTEUR”
MEZZO STEPHANIE BLYTHE CONQUERS THE UNDERWORLD AS GLUCK’S “ORFEO”
PUCCINI’S “RONDINE” CHARMS AT THE MET
WORKS-IN-PROCESS BY PÄRT AND O’REGAN
MASSENET’S “SIN CITY” IN REDS AND GOLDS
YALE PHILHARMONIA IN MESSIAEN’S ECSTATIC TURANGALÎLA
BARENBOIM A WELCOMED HERO IN MET’S “TRISTAN”
BERLIOZ’ “DAMNATION” AS A VIDEO SPECTACULAR
ESCHENBACH AND PHILLY IN DISAPPOINTING MAHLER 8TH
DIANA DAMRAU STUNNING IN REVIVAL OF MET’S “LUCIA”
STAR-TURN FOR MATTILA IN MET’S “SALOME”
“MUSIC BEFORE 1800” – VIVALDI WITH A RECORDER’S POINT OF VIEW
STRONG PERFORMANCES, CONDUCTING IN MET DON GIOVANNI
OPERA OMNIA’S AUSPICIOUS DEBUT
WAGNER’S EARLY FLOP, “DAS LIEBESVERBOT” GLEAMS AT GLIMMERGLASS
UCHIDA AND YOUNG STARS ON THE RISE AT ZANKEL
Book Review: GUSTAV MAHLER: A NEW LIFE CUT SHORT
DAMRAU AND POLENZANI IDEAL MOZART COUPLE AT THE MET
“SATYAGRAHA” MESMERIZES MET AUDIENCE
PUCCINI’S BIG-BONED,CONFUSED “EDGAR” PRESENTED BY OONY
TWO-WEEK RUN OF BERNSTEIN'S JOYFUL
ATLANTA SYMPHONY OFFERS THEOFANIDIS NY PREMIERE
ZEFFIRELLI’S “BOHÈME” STILL DAZZLES, THE 348TH TIME
VERDI’S “ERNANI” RETURNS TO THE MET
MONTREAL SYMPHONY BRAVES STORM TO KEEP NY DATE
MUSICALLY STRIKING “PETER GRIMES” ALONE ON THE MET STAGE
BEL CANTO WINS IN OONY’S “SONNAMBULA”
RENÉE FLEMING’S DESDEMONA ECLIPSES MET’S OTELLO
BOULEZ, CHICAGO SYMPHONY IN COLORFUL CARNEGIE PROGRAM
BRENDEL’S LAST CARNEGIE RECITAL
BRAHMS TRIOS AT THE MET MUSEUM
A BRILLIANT NEW MANON IN PUCCINI’S OPERA
LORIN MAAZEL RETURNS TO MET FOR “WALKÜRE”
STAR-STUDDED SCHUBERTIADE AT CARNEGIE
BERLIOZ, PROKOFIEV PROGRAM AT THE PHILHARMONIC
STARVING “HANSEL AND GRETEL” AT THE MET
BELLINI’S “NORMA” AT THE MET
BALTIMORE CONSORT ENCHANTS WITH SPANISH CONCERT
VERDI’S “MACBETH” GRIM AND POTENT AT THE MET
BITCHERY IN BRIGHT COLORS – “AGRIPPINA” AT NYCO
WORDS AND MUSIC AT ZANKEL HALL
THE SADDEST AND THE MADDEST – “BUTTERFLY” AND “LUCIA” AT THE MET
LAHTI SYMPHONY ORCHESTRA'S 8th INTERNATIONAL SIBELIUS FESTIVAL
FASOLIS AND SWISS FORCES IN GLORIOUS MONTEVERDI “VESPERS”
GERGIEV’S PREHISTORIC, TOTEMIC “WALKÜRE” AT LINCOLN CENTER FESTIVAL
RAMEAU’S SLIMMER VERSION OF CASTOR ET POLLUX FROM OPERA FRANÇAIS
MIGHTY ORFF, SENTIMENTAL BRAHMS FROM THE COLLEGIATE CHORALE
TO HELL AND BACK IN EXQUISITE SIGHT AND SOUND AT THE MET
DE NIESE, ZAZZO STEP INTO MET’S GIULIO CESARE
PUCCINI’S THREE ONE-ACTERS DELIGHT AT THE MET
COLORFUL, DANGEROUSLY WITTY “FLAVIO” AT NYCO
FINELY SUNG “CHENIER” AT THE MET – BUT IS IT LOVE?
COLLEGIATE CHORALE PRESENTS "THE JUNIPER TREE " BY GLASS AND MORAN
STRAUSS’S CONVOLUTED “HELENA” SOARS AT THE MET
GHEORGHIU, HAMPSON STAR IN MET’S “BOCCANEGRA”
BEAUTIFULLY SUNG “ONEGIN” AT THE MET
BĔLOHLÁVEK LEADS MATTILA IN MET’S JENUFA
TAKÁCS QUARTET AT MET MUSEUM
ROSSINI’S “OTELLO” – A TENORIAL DELIGHT FROM OONY
LUXURIOUS ANNA NETREBKO IN MET’S “PURITANI;” A BRIEFER, FEELGOOD “FLUTE”
FLEISHER AND A “NEW” HINDEMITH WORK AT PHILHARMONIC
PAPE, HVOROSTOVSKY TAKE TOP HONORS IN MET’S “DON CARLO”
BERG AND MAHLER FROM PHILADELPHIA
MET’S STARRY NEW "BARBER" WITTY AND INTRIGUING
BARTOK AND BRAHMS FROM BOSTON
PIANIST HELÈNE GRIMAUD IN CARNEGIE DEBUT
DONIZETTI’S LAST OPERA AT CARNEGIE HALL
SCHIFF AND POGORELICH: KEYBOARD CONTRASTS AT MET MUSEUM
“COSI FAN TUTTE” – THROUGH A GLASS, DARKLY
LEON FLEISHER AT CARNEGIE
A “BUTTERFLY” THAT TOUCHES THE SENSES AT THE MET
VOCAL ENSEMBLE “POMERIUM” OPENS “MUSIC BEFORE 1800” SERIES
DONIZETTI’S “ELISIR” WITH AN AMERICAN TWANG
HANDEL’S “SEMELE” – THE PERILS OF SOCIAL CLIMBING
MOZART’S “IDOMENEO” RETURNS IN GLORY TO THE MET
PLUTO DE-PLANETIZED; HOLST VINDICATED; MATTHEWS DISGRACED
AT GLIMMERGLASS: REDEMPTION THROUGH LOVE AND FORGIVENESS; COPS-AND-PIRATES
CONTRALTO EWA PODLEŚ’ STUNNING TANCREDI AT CARAMOOR
GOLDENTHAL AND TAYMOR’S “GRENDEL” AT LINCOLN CENTER FESTIVAL
ANONYMOUS 4 – HOPE & GLORY RELOCATED
TENOR BARRY BANKS AND SOPRANO SUMI JO IN CARAMOOR’S “PURITANI”
SCHOENBERG, SCHUBERT; UNSUK CHIN PREMIERE; NAGANO WITH BERLINERS
SERKIN IN UNUSUAL PROGRAM AT CARNEGIE HALL
HANDEL’S “RODELINDA” RETURNS TO THE MET
MARK ADAMO’S “LYSISTRATA” THOUGHTFUL AND AMUSING AT NYCO
BEL CANTO AND JOY REIGN IN MET’S “DON PASQUALE”
MATTILA BACK AS BEETHOVEN’S LEONORE
TCHAIKOVSKY’S “MAZEPPA” AT THE MET
SPANO’S VERDI REQUIEM AT CARNEGIE
VOIGT, LICITRA, DELAVAN IN MET’S “FORZA”
VOCAL ENSEMBLE POMERIUM CLOSES 2005-2006
EGLISE GUTIERREZ PURE AS A BELL IN DÉLIBES’ “LAKMÉ”
BRENDEL VISITS CARNEGIE HALL (AND OLD VIENNA)
TAKÁCS QUARTET AT ZANKEL
TWENTY FINGERS IN AN ALL-MOZART EVENING AT CARNEGIE
LAHTI SYMPHONY ORCHESTRA FEATURES HAYDN'S "CLOCK" AFTER MOZART; BARTOK
A “SURPRISE” AND A “HERO” FROM THE CONCERTGEBOUW
GHEORGHIU AT LAST IN MET’S “TRAVIATA”
NATALIA GUTMAN PLAYS IT OLD SCHOOL AT LINCOLN CENTER
TAYMOR AND MOZART IN A GRAND ENTERTAINMENT
SONDHEIM’S “SWEENEY” IN FASCINATING, NEW, GRIM DECONSTRUCTION
JULIA FISCHER SMOLDERS WITH NY PHIL
BASS CHORALE SINGS VIVALDI AT MET MUSEUM
ANNA NETREBKO LIGHTS UP MET’S “RIGOLETTO”
ANDSNES SHINES IN LUTOSLAWSKI; NY PHIL FILLS WITH POPS
PICKER’S “AN AMERICAN TRAGEDY” A SUCCESSFUL MET DEBUT
RACHEL PORTMAN’S ENCHANTING “THE LITTLE PRINCE” FOR ADULTS AND KIDS AT NYCO
GIORDANI GLEAMS IN THRILLING “WILLIAM TELL” UNDER QUELER
THE PHILHARMONIC: KREMER’S SCHNITTKE AND A DEBUT
MET PRESENTS SUPERB ENSEMBLE “COSI”
MORAVEC AT CARNEGIE – AN EVENING OF GREATNESS
BENNETT’S GOTHIC “MINES OF SULPHUR” A TENSE EVENING AT NYCO
SINGING, PLAYING AND WHIRLING THROUGH THREE RENAISSANCE CULTURES
AIMARD SOUNDS FRENCH AT CARNEGIE HALL
DUKAS’ ONE-OF-A-KIND “ARIANE” A BLAZE OF SOUND AT NYCO
STRONG SINGING IN MET’S “ARIADNE”
ROSSINI’S FLORID, FUN “VIAGGIO” RETURNS TO NYCO
PHILIP GLASS’S “LA BELLE ET LA BÊTE” IN OAKLAND, SANS FILM
PRANCING AND ROMANCING IN GILBERT & SULLIVAN’S “PATIENCE” AT NYCO
TERFEL AND SUPERB ENSEMBLE IN VERDI’S “FALSTAFF” AT THE MET
"GREAT" MASS IN C MINOR ENDS MOSTLY MOZART FESTIVAL
STORMS SURROUNDING A VIOLIN CONCERTO AT MOSTLY MOZART
THREE FRENCH OPERAS, TWO STARS AT GLIMMERGLASS
BELLINI’S GRACEFUL "LA SONNAMBULA" AT CARAMOOR
ZUKERMAN AND N.Y. PHIL FRIENDS PLAY BACH AND STRAVINSKY
BARENBOIM, BOULEZ AND THE CHICAGOANS
TETZLAFF, ANDSNES SHINE IN DEMANDING PROGRAM AT CARNEGIE
MUSIC BEFORE 1800 PRESENTS AL AYRE ESPAÑOL
ROSTROPOVICH LEADS ARGERICH, NY PHIL IN RUSSIAN PROGRAM
PAPE, ALAGNA IN THE MET’S MUSICALLY BRILLIANT “FAUST”
HAYDN, MOZART, AND ADAMS MEET ORPHEUS AT CARNEGIE
FAUST SUCCESSFULLY DAMNED AT THE PHILHARMONIC
ORCHESTRA OF ST. LUKE’S AT CARNEGIE HALL
VERDI’S GREAT “DON CARLO” IN SUPERB MET PERFORMANCE
BRENDEL AT CARNEGIE: BACK TO BASICS
HANDEL’S MAGICAL “ORLANDO” MASTERFULLY PRESENTED AT NYCO
ORPHEUS GOES BAROQUE AT THE MET MUSEUM
JANSONS, VIENNA PHIL IN BEETHOVEN AND SHOSTAKOVICH
BERNSTEIN’S “CANDIDE” BACK IN REPERTOIRE AT NYCO
FREEDOM WINS AS FIDELIO COMES TO CARNEGIE
ZEFFIRELLI’S GLITZY TURANDOT STILL SHINES BRIGHTLY
GOODE VOLATILE IN CARNEGIE RECITAL
HANDEL’S RARE “ARIANNA” FROM GOTHAM CHAMBER OPERA
ANDERSZEWSKI’S BACH, SZYMANOWSKI, AND CHOPIN AT ZANKEL
BIRTWISTLE NY PREMIERE, DUTILLEUX 2nd; LUPU’S “EMPEROR” BY WAY OF CLEVELAND
OPERA’S SILENT LIAR – MÉLISANDE IS BACK AT THE MET
ABC’S AT CARNEGIE – AX PLAYS BEETHOVEN, BERNSTEIN AND CHOPIN
PUCCINI’S “MANON LESCAUT” PACKS A PUNCH AT SEATTLE OPERA
HANDEL’S MOVING “RODELINDA” WITH STAR POWER FITS THE MET
OFFENBACH’S GRIM, FUNNY, “TALES” RETURNS TO THE MET
BERLIOZ’ STAR-CROSSED LOVERS AT CARNEGIE
ARCHITECT ANTONI GAUDI, MODERNIST ICON, HITS THE STAGE IN BARCELONA
APRILE MILLO IN OONY’S ROUSING “FANCIULLA”
ON VETERANS’ DAY, BRITTEN’S WAR REQUIEM
LIGETI’S COMIC (BOOK) OPERA IN SAN FRANCISCO
ALVAREZ, SWENSON WARM LOVERS IN MET BOHÈME
NOTHING NEW UNDER TERRY RILEY’S “SUN RINGS”
TEMIRKANOV LEADS ST. PETERSBURG PHILHARMONIC AT CARNEGIE
KITES, PUPPETS, MASKS – AND GRAND SINGING – LIGHT UP MET’S NEW “FLUTE”
BERLIN PHIL AND BATIASHVILI WITH GLOWING BEETHOVEN; SATISFYING NIELSEN
RAMEAU’S UNIQUE “PLATÉE” SAUCY AND STUNNING AT CITY OPERA
HEPPNER TAKES ON VERDI’S OTELLO AT MET OPENING
STRAUSS’S AUTUMNAL “DAPHNE” DEBUTS AT CITY OPERA
TETZLAFF, ZIMMERMANN FIDDLE AT MOSTLY MOZART; LABADIE LEADS WITH STYLE
MONTEPULCIANO FESTIVAL BACK IN BUSINESS - JUST - THEME: “THE HUMAN VOICE”
GLIMMERGLASS PRESENTS THE WORLD OF HANDEL’S REPRESSIVE “IMENEO”
MOZART ON A GRAND SCALE OPENS FESTIVAL; KOZENA, BRONFMAN AS SOLOISTS
PUCCINI'S GIRL RIDES TRIUMPHANTLY AT GLIMMERGLASS
DAWN UPSHAW ENCHANTS IN S. F. OPERA’S FIRST “CUNNING LITTLE VIXEN”
BUFFALO PHILHARMONIC INSPIRES UPSTATE ENVY AT CARNEGIE
HANDEL’S “SOSARME;” ODES BY HANDEL AND JOHN BLOW IN GÖTTINGEN
GÖTTINGEN HANDEL FESTIVAL “RINALDO” ENCHANTS MUSICALLY
GLASS AKHNATEN GETS LOW-BUDGET TRANSFORMATION
EXTRA! INTREPID CT.COM CRITIC SURVIVES 93-MINUTE LEVINE MAHLER NINTH!
MONTEVERDI’S VESPERS RELOADED IN BOLOGNA
PHILADELPHIA’S SHOSTAKOVICH, MAHLER PROGRAM AN UNFULFILLED PROMISE
“LA GIOCONDA” – STILL CRUDE, STILL EXCITING, FROM OONY AND APRILE MILLO
ROSSINI’S SHATTERING “ERMIONE” FROM THE NEW YORK CITY OPERA
WEAK SCHUMANN, STRONG BRUCKNER IN MOSCOW
MIXED SOUNDS AT BERLIN GOOD FRIDAY CONCERT
LEVY’S GRIM “MOURNING BECOMES ELECTRA” IN ALL ITS VICIOUS GLORY FROM NYCO
HANDEL’S WITTY “XERXES” TRIUMPHANTLY BACK AT NYCO
A VERDI “BALLO” AUDIBLE AROUND THE GLOBE FROM ROBERT BASS AND STAR SOLOISTS
LUST AND GREAT SINGING IN ANCIENT GALILEE: KARITA MATTILA AS SALOME
ALL-BEETHOVEN BARENBOIM EXTRAVAGANZA
“SWEENEY TODD” RETURNS TO THE NYCO; DELAVAN AND PAIGE STAR
ESCHENBACH, PHILADELPHIANS SCORE IN MAHLER’S THIRD
EMANUEL AX STEALS THE SHOW WITH JOHN ADAMS’ PIANO CONCERTO
PAPPANO DEBUTS WITH N.Y. PHILHARMONIC
A LARGE SERVING OF SCHUBERT’S SONGS; MOSTLY TOO COOL AND SPICED WRONG
CELEBRATING WINE, WOMEN AND SONG IN BERLIN
ROSSINI’S L’ITALIANA À LA RUSSE AT THE MET; FLOREZ SHINES
WANDERINGS BY MAHLER AND WAGNER WITH BOULEZ, CLEVELANDERS
FOUR FROM THE PAST CENTURY WITH UCHIDA, BOULEZ, CLEVELAND
MAAZEL, N.Y. PHILHARMONIC IN HAYDN’S CREATION
RUSSIAN NATIONAL ORCHESTRA IN BARTÓK, SHOSTAKOVICH AT CARNEGIE
JAMES MORRIS RULES AS BORIS AT THE MET
OCCASIONALLY VIOLENT MUSIC FOR A SILENT AUCTION
RARE SHOSTAKOVICH AT ZANKEL
BRUCKNER 5th FROM SAWALLISCH, PHILADELPHIANS
OVERBUSY, NEW SFO ”BARBIERE” SCORES HIGH MUSICALLY
ALAGNA BRINGS GLOWING TONE AND ROMANTIC TRUTH TO MASSENET’S “WERTHER”
STOYANOVA STARS IN OONY’S EXCITING “ANNA BOLENA”
JUILLIARD QUARTET MIXES NEW AND OLD
BOULEZ SPECIALTIES IN CHICAGO
IN SAN FRANCISCO, THE PREMIERE OF DAVID CONTE'S “FIREBIRD MOTEL”
NAGANO DRAWS BERLINERS INTO AN AMERICAN BERNSTEIN MASS
THE BERLIOZ YEAR: ESCHENBACH, PARIS ORCHESTRA SCORE
STRAUSS’S “FRAU” RETURNS LUMINOUSLY TO THE MET
PRAGUE REVISTS CENTENARIAN “TIEFLAND;” JANACEK’S “VIXEN” THRIVES
VENGEANCE REIGNS, SHICOFF SUPERB IN MET’S “LA JUIVE”
LAUGHS, CHARM, HIGH SPIRITS IN CITY OPERA’S DON PASQUALE
FINE BEETHOVEN 7th UNDER MAAZEL; BISS IN STUNNING “EMPEROR”
LANG LANG IN CARNEGIE RECITAL DEBUT
LAURA AIKIN SINGS (ONLY) A THRILLING BASTILLE LULU
RATTLE LEADS BARTÓK, BEETHOVEN, LIGETI IN BERLIN
NYPO, MAAZEL IN BEETHOVEN 4 & 5; CASCIOLI DEBUTS IN 3rd PIANO CONCERTO
STEINBERG LEADS VERY RUSSIAN “PICTURES;” SAINT-SAËNS FROM THIBAUDET
WITTY, VERY BRITISH “MIKADO” IN BLACK-AND-WHITE AT NYCO
FLEMING STARS; HVOROSTOVSKY SEDUCES; VILLAZON IMPRESSES IN MET TRAVIATA
FROM BOSTON, A PELLÉAS ET MÉLISANDE TO REMEMBER
BERIO’S ENDING OF PUCCINI’S TURANDOT OUTSHADOWED BY WACKY PRODUCTION
VÄNSKÄ GIVES NEW YORK NIELSEN TO DIE FOR
PHILHARMONIA, DOHNÁNYI IN SIBELIUS, BRUCKNER AT CARNEGIE
MET’S WARM, LOVING TRISTAN RETURNS
EXOTICA FROM PHILLY COMES TO CARNEGIE
CECILIA BARTOLI “REVIVES” SALIERI - WHETHER HE LIKES IT OR NOT
BERLIOZ’S ROMÉO ET JULIETTE AT NY PHILHARMONIC
BACH VERSUS BACH: MANZE AND GUGLIELMO PLAY THE PARTITAS
AND THE BEAT GOES ON: GOEBBELS, RATTLE AND THE BERLIN PHILHARMONIC
ROBERTSON CONDUCTS PERGOLESI AND REICH AT ZANKEL HALL
MAAZEL, PHILHARMONIC OPEN SEASON WITH MAHLER, NEW HARTKE SYMPHONY
MORE MATTER, MORE ART AT MILLER THEATRE
NYCO “LUCIA” A FEAST FOR THE EARS, A CHORE FOR THE EYES
HANDEL’S ALCINA AT THE NEW YORK CITY OPERA
LOHENGRIN'S SWAN FLIES BACK TO HIS ITALIAN NEST
MOSTLY MOZART’S SEASON-CLOSING “CREATION”
FLOREZ, AN ORY THAT MAKES THE DIFFERENCE
BIONDI, EUROPA GALANTE PREMIER SCARLATTI ORATORIO
GRIM “GIOVANNI,” RADIANT “ORLANDO” AT GLIMMERGLASS
NORRINGTON LECTURES AND LEADS CAMERATA SALZBURG IN BEETHOVEN’S FIFTH
GRIFFEY SOARS IN GLIMMERGLASS “SCHWEIK;” “BLUEBEARD” MISFIRES
AT MOSTLY MOZART, TRISHA BROWN’S WINTERREISE
RARE AND RARER: OPERAS BY RIMSKY AND RUBINSTEIN FROM THE KIROV
MUSSORGSKY’S DARK “KHOVANSHCHINA” FROM THE KIROV
SEVEN PHASES IN THE LIFE OF A HARD-CORE COLLECTOR
STEPHEN POWELL’S EXCELLENT ONEGIN LIGHTS UP OFNJ PREMIERE
KIROV BRINGS REINTERPRETED “SEMYON KOTKO” TO MET
"VERA OF LAS VEGAS” - A NIGHTMARE CABARET OPERA IN ONE ACT
TRIO MEDIAEVAL GIVES HOT PERFORMANCE AT DARTMOUTH
MAAZEL'S EPIC MAHLER ENDS FIRST SEASON IN TRIUMPH
AT CARNEGIE HALL, SOPRANO SUMI JO STEALS THE SHOW
RARE, ENGLISH-LANGUAGE “MERLIN” BY ALBENIZ IN MADRID
NY PHIL IN FRANCO-AMERICAN PROGRAM; BUCHBINDER PLAYS GERSHWIN
McGEGAN CHARMS AND CONQUERS WITH HANDEL’S JEPHTHA
ROSSINI’S RARE “ERMIONE” THRILLS UNDER TIBORIS
KNUSSEN LEADS BERLIN PHIL IN “WILD THINGS” AND STRAVINSKY’S “BAISER”
GHERARDESCHI’S 1803 REQUIEM RETURNS TO PISA
ROBERT SPANO MAKES NY PHILHARMONIC DEBUT
MET CHORUS SHINES IN WIDE-RANGING PROGRAM AT CARNEGIE
ROMANTIC ROSSINI FROM QUELER AND OONY AT CARNEGIE
PIANIST ANDRÉ WATTS IN A POWERFUL NYC RECITAL
LEVINE, MET ORCHESTRA, IN ALL-BERLIOZ PROGRAM
TEMIRKANOV, BSO IN PROKOFIEV AND MAHLER AT CARNEGIE
HANDEL'S FLAVIO - WITTY AND BRIGHT AT NYCO
UCHIDA AND FRIENDS DELIGHT AT WEILL
ANGST AND FROTH IN SUSAN GRAHAM’S CARNEGIE HALL RECITAL
PIERCING EARS AND SOULS TO THE DEPTH – THE VERDI REQUIEM IN MILAN
KISSIN AT CARNEGIE: SPIRITED SCHUBERT AND LISZT
“LES NOCES” AND TCHAIKOVSKY UNDER GERGIEV OPEN MOSCOW EASTER FESTIVAL
POWERFUL “GURRELIEDER” AT BOLSHOI
SPECTACULAR PROKOFIEV AND SHOSTAKOVICH UNDER PLETNEV
YURI BASHMET AND THE MOSCOW SOLISTS AT CARNEGIE HALL
FROM JAPAN: BACH’S ST. MATTHEW PASSION AT CARNEGIE
SUCCESSFUL U.S. PREMIERE OF SALONEN WORK; MIDORI PLAYS SIBELIUS
KIROV FILLS IN UNDER GERGIEV AT CARNEGIE
NEAR-IDEAL ARIADNE AT MET
STARRY FRIENDS CELEBRATE SLAVA’S BIRTHDAY WITH NY PHILHARMONIC
SUCCESSFUL NEW YORK PREMIERE OF ADAMS’ EL NINO AT BAM
MATTILA’S STRAUSS; SALONEN WITH L.A. PHILHARMONIC AT LINCOLN CENTER
MET’S STAR-STUDDED, POP-UP BOOK FAUST
NYCO DELIGHTS IN SONDHEIM’S NIGHT MUSIC
SING PRAISE TO OUR GREAT PASHA
HAITINK AND BOSTON SYMPHONY PAIR MOZART, MAHLER
NEW MET STAGING OF BERLIOZ’ TROYENS FINE TO HEAR, NOT-SO-FINE TO SEE
DAVIS, LSO IN BERLIOZ ROMÉO, FAUST
BRENDEL, GOEBBELS’ WORLD PREMIERE, AND A HERO'S LIFE
SHOSTAKOVICH + BERNSTEIN IN BERLIN: DOOMED, PASSIONATE LOVE
PODLES’ ADALGISA TRIUMPHS IN DOUBLE-CAST SEATTLE NORMA
A NIGHT OF GERARD GRISEY AT MILLER THEATRE
KARITA MATTILA TOTALLY CONVINCING IN ODD-CHOICE RECITAL
GOODE VERY GOOD INDEED IN CARNEGIE RECITAL
STRAVINSKY'S OPERA COMES HOME: A NEW 'RAKE' AT THE BOLSHOI
PROKOFIEV AND SHOSTAKOVITCH: IN STALIN’S SHADOW
BOHÈME-LITE AT THE MET: VARGAS SHINES, NEW MIMI DISAPPOINTS
LONDON’S FALSTAFF IN PRIMARY COLORS
UCHIDA PLAYS SCHOENBERG, SCHUBERT, GRIPPING SCHUMANN
PUCCINI'S GOLDEN WEST IN HELSINKI
FO'S FUNNY, FABULOUS FINNISH VIAGGIO
SUPERB HAMPSON, MIXED EMERSON 4TET AT CARNEGIE
A NIGHT OF SAARIAHO PREMIERES AT WEILL
CLEVELANDERS IN SAARIAHO PREMIERE, MAHLER 7TH
MET ORCHESTRA IN CONCERTO-FEST AT CARNEGIE
VIOLINIST VADIM REPIN GIVES BLAZING NEW YORK RECITAL
RATTLE LEADS BERLINERS IN HENZE’S NEW 10th, STRAVINSKY
O’FLYNN, BURDEN, GRACE PHILADELPHIA TRAVIATA
SAWALLISCH, PHILADELPHIA IN SCHUMANN WEEKS
ROBERT BASS LEADS EXCITING LICITRA IN VERDI’S FORZA
AIMARD AND MESSIAEN’S GRAND REGARDS
LISZT’S FAUST, WITH LOVE FROM BUDAPEST
JUROWSKI LEADS GLOWING MATTILA IN NEW MET JENUFA
FINNISH RADIO ORCH'S PROGRAM PAYS OFF AT LINCOLN CENTER
HVOROSTOVSKY AS MET DON; BERNSTEIN, FRITTOLI SHINE
CRAFT ON CRAFT: A TIMELY MEMOIR OF A REMARKABLE ARTIST
JANSONS LEADS BERLINERS, ANDSNES IN SCHUMANN, SHOSTAKOVICH
BOHÈME COMES TO BROADWAY
GENAUX DAZZLES AT WEILL RECITAL
ORPHEUS, UPSHAW AT CARNEGIE; DISAPPOINTING GOLIJOV, FINE FAURÉ, MOZART
DAVIS, NYPO DELIGHT IN MOZART’S ABDUCTION FROM THE SERAGLIO
BOLCOM’S A VIEW FROM THE BRIDGE COMES TO THE MET
AIMARD MAKES IMPRESSIVE N. Y. PHIL DEBUT UNDER DOHNANYI
SIMPLY MARVELOUS: HILARY HAHN MAKES CARNEGIE RECITAL DEBUT
CHUNG AND RADIO FRANCE ORCHESTRA'S MESSIAEN: TURANGARIFFIC
SAN FRANCISCO OPERA'S TWO WITCHES, ONE GOOD, ONE BAD
MATTILA SUCCEEDS IN INITIAL JANACEK KAT'A AT SFO
DAVIS, NY PHILHARMONIC IN (ALMOST) ALL-BRITISH PROGRAM
TERROR IN THE PARK WITH HANSEL AND GRETEL AT NYCO
CRUMB PREMIERE ALMOST TURNS STUNT INTO CONCERT
MASSED FORCES IN CONVINCING BERLIN BRITTEN WAR REQUIEM
ACIS, THE NEAPOLITAN, GOES EUROPEAN
FINE MEZZOS OF TWO GENERATIONS FLANK TE KANAWA’S D.C.VANESSA
PRAZAK QUARTET LIGHTS FIRES; ST. LAWRENCE COOLER
ARGERICH, DUTOIT, PHILADELPHIANS NOT QUITE AT PEAK
AWKWARD APPASSIONATA; DIVINE DIABELLIS FROM CHARLES ROSEN
THE PACIFICA QUARTET PLAY ELLIOTT CARTER’S FIVE
ETHEL COOKS UP NEW WORKS AT THE KITCHEN
OSVALDO GOLIJOV’S PASSION SWEEPS BROOKLYN
SLATKIN OFFERS CLINIC ON SMART PROGRAMS, STUNNING PLAYING
MAKARINA SUBS TRIUMPHANTLY FOR AILING FLEMING IN MET’S PIRATA
HARNONCOURT OFFERS LESSONS IN BACH IN BERLIN
BERLIOZ MEETS OFFENBACH IN PLASSON'S DITZY DAMNATION
CHABRIER RARITY SPARKLES AT CITY OPERA
OONY’S PEARL FISHERS SINKS AFTER LOUD CRASH AT CARNEGIE
WATERS LEADS NEW HANDSOME TURANDOT AT CONN. OPERA
AN ANATOMY OF MELANCHOLY, ACCORDING TO FABIO BIONDI
ANGELA HEWITT’S MASTERFUL BACH
THE HOTTEST TICKET IN TOWN: MAAZEL AND THE NEW YORK PHIL
TILSON THOMAS MICRO-MANAGES MAHLER
FLOREZ PRINCELY IN SEARCH OF A PRINCESS IN MET’S CENERENTOLA
MTT AND SAN FRANCISCO TRIUMPH WITH STRAUSS' HERO
VOIGT SHINES IN NEGLECTED STRAUSS OPERA
CRISP SOUNDS FROM HERREWEGHE AND RADIO KAMERORKEST
NOTHING NEW IN GLASS OPERA ON GALILEO
BARENBOIM, CSO OFFER THREE Bs AT CARNEGIE
ELEKTRA: THE ULTIMATE DYSFUNCTIONAL FAMILY FASCINATES AT THE MET
MANAHAN, ORCHESTRA DAZZLE IN NEW NYCO SALOME
DANIEL MARTYN LEWIS’S IMPRESSIVE, VARIED BACH
I MUSICI CAPTURES KEENE (NH)
BACH, BOULEZ STRANGE BEDFELLOWS; BRUCKNER’S BRASSY 7th
NEW YORK CITY OPERA’S TRITTICO A KNOCKDOWN SUCCESS
MAAZEL’S THRILLING BEETHOVEN OPENS PHILHARMONIC SEASON
MESSAIEN’S EPIC, OTHERWORLDLY ST. FRANCOIS
SURPRISING FRANCESCO CERA PLAYS OLD MASTERS OF THE ROMAN KEYBOARD SCHOOL
LOUISIANA PHILHARMONIC HOSTS PIANIST PASCAL ROGÉ
LOUISIANA PHIL DEBUTS AMRAM’S NEW FLUTE CONCERTO WITH GALWAY
PIANIST EVGENI KOROLIOV’S FRENCH BACH
SPARKLING RARE HAYDN; MISGUIDED PAG/CAV AT GLIMMERGLASS
RADIANT DONATH CLOSES CHAUTAUQUA SEASON WITH MOZART, STRAUSS UNDER SEGAL
BRIGHT, CARTOON-LIKE ABDUCTION BRILLIANT IN LUCERNE
SAARIAHO AND SIBELIUS SET THE MOOD AT TANGLEWOOD
GLENNIE PLAYS MACMILLAN; BELL PLAYS MENDELSSOHN WITH PHIL ORCH IN SARATOGA
GLIMMERGLASS RESTORES POULENC’S 3-ACT DIALOGUES OF THE CARMELITES
ABSOLUTE BEETHOVEN AT THE VERBIER FESTIVAL
FISCHER LEADS SPECTACULAR BLUEBEARD IN LUCERNE OPENER
MORRIS DANCES TO HANDEL’S L’ALLEGRO (ET AL) AT MOSTLY MOZART
INNSBRUCK’S RINALDO - HANDEL IN A BARBIE-DOLL WORLD
BERKSHIRE OPERA COMPANY FEATURES ADMIRABLE TURN OF THE SCREW
TWO RIGOLETTOS ON DVD – LONDON WINS, VERONA PLACES
SARAH CHANG HEADLINES SPAC CHAMBER CONCERT OPENER
SANTA FE HOSTS STRIKING U.S. PREMIERE OF KAIJA SAARIAHO’S AMOUR DE LOIN
FINE VOCALISM REDEEMS SANTA FE CLEMENZA, IF NOT ITS SLEEPY TRAVIATA
AMERICANS - ZAPPA, KIRSCHNER, BOLCOM, CHAMBERS, ADAMS – AT TANGLEWOOD
DEIDAMIA, HANDEL’S LAST OPERA, LIGHTS UP CARAMOOR
LEVINE, KISSIN; VERBIER YOUTH ORCHESTRA OPEN FESTIVAL
BRIGHT SHENG'S THE SILVER RIVER RECEIVES ITS NEW YORK PREMIERE
IN ZURICH: EVA MEI’S FINE VIOLETTA; CURA IN SPACE - PLACED OTELLO
A STAR COMES OUT IN THE WESTERN SKY - BATIASHVILI PLAYS BEETHOVEN
PHYLLIS PANCELLA AS BRITTEN’S LUCRETIA IN PRINCETON
OREGON BACH FEST PREMIERES TAN DUN WATER PASSION
SCHAEFER'S SCHOENBERG AND SCHUMANN ON DVD – BETTER HEARD THAN SEEN
PARIS’ CHATELET HOSTS OPERA DE LYON’S LUCIE DE LAMMERMOOR
BARTOLI, WELSER-MOST IN ROSSINI’S OFT-NEGLECTED TURCO
LARIN STEPS IN FOR ABSENT ALAGNA; RELYEA DEBUTS WITH GRAVES' CARMEN
BOLOGNA’S GLORIOUS TOSCA IN JAPAN
ALCINA ON DVD – A VIVID ELUCIDATION OF EURO-TRASH DIRECTING
PROMISING AND PROVEN PROKOFIEV AT THE MARIINSKY'S WHITE NIGHTS FESTIVAL
A BEL CANTO BANQUET IN TWO COURSES, SERVED IN JAPAN
FIRST-RATE SPANISH ORQUESTRA IN VIVID, EVOCATIVE PROGRAM
AMERICAN SYMPHONY STRONGLY REVIVES WILDE-BASED ZEMLINSKY OPERAS
SCHICCHI AND BLUEBEARD - OPERATIC STRANGERS PASSING IN THE NIGHT
SUBSTITUTES BREWER AND MAULTSBY EXCEL IN VERDI REQUIEM UNDER SAWALLISCH
UNSUK CHIN’S SUCCESSFUL PIANO CONCERTO; A DISAPPOINTING TCHAIKOVSKY 5
TURANDOT WITH BERIO’S NEW ENDING – NO HELP FOR THE NEEDY
THE EMERSON QUARTET PLAYS MUSICAL CHAIRS, BEETHOVEN & SHOSTAKOVICH
MASUR, MUTTER, MODERNS, AND BEETHOVEN AT THE PHILHARMONIC
SCHNITTKE'S GRIM CELLO CONCERTO WITH GUTMAN AND MASUR
FINE CAST ENLIVENS EOS’ ABRIDGED, CHAMBER "RHINEGOLD;" ALDEN DIRECTS
FINE POLLINI MOZART, TURGID SCHMIDT SYMPHONY STARS PHILADELPHIANS
MASUR SAYS FAREWELL IN HOMAGE TO TWO (MAYBE THREE) PREDECESSORS
KRONOS QUARTET AT JOE’S PUB
THE MUSICAL SUPERHIGHWAY: THE SILK ROAD PROJECT COMES TO SEATTLE
HOLLIGER CONDUCTS THE CONCERTGEBOUW: CHALLENGES AND REWARDS
MAJOR ROREM PREMIERES AT TULLY
POLLINI'S ON AGAIN, (MOSTLY) OFF AGAIN CHOPIN
ALL-STAR CONCERT FROM AN ALL-STAR TRIO AT CARNEGIE
LANG LANG HAS CHOPS, LACKS FOCUS IN PROKOFIEV THIRD
NO ROSE WITHOUT THORNS: ABBADO'S ROYAL PILGRIMAGE CONTINUES
LEVINE'S DIVINE HAYDN CREATION
BEAUTIFUL, UNSETTLING MIDSUMMER NIGHT’S DREAM AT THE MET
DONIZETTI’S LA FAVORITE - LOVE AND HONOR VS POWER
UPDATED ARABELLA WORKS WITH CHARISMATIC MATTILA, BONNEY, HAMPSON
PITTSBURGH AND JANSONS DELIVER DAZZLING ROUSE AND HERSCH BUT DULL MOZART
EAST MEETS WEST UNDER SPANO’S BATON IN BROOKLYN
HARBISON’S THE GREAT GATSBY – POTENTIAL FOR GREATNESS
KREMERATA BALTICA GIVES LUSH READING OF NEW WORKS
St. CECILIA TRIUMPHS IN RACHMANINOV AND ORFF
SIBELIUS AND SIR COLIN DAVIS A WINNING COMBO WITH THE N.Y. PHIL
MESSIAEN DIVINE LOVE BEAUTIFULLY PORTRAYED; MURARO SOLOIST WITH ROBERTSON
BRENDEL BRILLIANT IN CARNEGIE HALL CONCERT
EWA PODLES CONQUERS TORONTO IN GIULIO CESARE
FLANIGAN, BASS’S COLLEGIATE CHORALE ENLIVEN WEBER’S OBERON
PERAHIA PLAYS UNEVEN ROMANTIC PIANO PROGRAM AT CARNEGIE
DONIZETTI'S MARINO FALIERO – IN BIG PERFORMACE LED BY EVE QUELER
BEL CANTO DUO NETREBKO AND DONOSE TRIUMPH IN PHILADELPHIA’S CAPULETI
MUTI’S DRAMATIC VERDI REQUIEM WITH THE NEW YORK PHILHARMONIC
LULU AT THE MET: SQUALOR, TREACHERY AND SHARP DECLINE NEVER SOUNDED SO GOOD
ROUTINE INTERRUPTED – FINE VOICES, NEW ATTITUDES LIFT THE MET BARBER
RARE VIVALDI COMEDY OF ERRORS IN BOLOGNA
ROSTROPOVITCH REIGNS IN DVOŘÁK CONCERTO WITH BOSTON SYMPHONY
WOLF-FERRARI’S STRANGE, CRUEL SLY COMES TO THE MET
PHILLY PIANISM SUMMIT: ARGERICH AND GOODE RETURN
MASUR LEADS PROKOFIEV AND MOZART CHORAL WORKS
NAGANO LEADS BERLINERS IN SCHNITTKE AND MAHLER
THE MET’S FALSTAFF – IT DOESN’T GET MUCH BETTER THAN THIS
GHEORGHIU AND ALAGNA – EVERYTHING BUT EXCITEMENT
LANG LANG FULFILLS EXPECTATIONS IN ASPEN RECITAL
DUTOIT & "SYM FAN;" FREIRE & CHOPIN - HARDLY A THRILL AT THE NY PHIL
FRANKENSTEIN MEETS THE RATT-MAN: DON'T EXPECT AN OSCAR
EMERSONS SHINE IN BARTOK QUARTET MARATHON
VELVET AND GOLD – HAITINK AND THE VIENNA PHILHARMONIC
HAITINK SHINES IN A REFINED BUT MIGHTY BRUCKNER 8th WITH THE VPO
TALLIS SCHOLARS PAY HOMAGE TO MARY TUDOR
A MIXED BAG OF COMPOSER/DIRECTOR FILM COLLABORATIONS AT THE MILLER THEATRE
SORABJI’S OPUS CLAVICEMBALISTICUM - A SURVIVOR REPORTS FROM BERLIN
THE MET’S PARADE: BRIGHT COLORS AND ATTITUDE, DRAB LEADERSHIP
PIERSON LEADS VARIED, FASCINATING ALL-LIGETI PROGRAM
ST. PETERSBURG PHILHARMONIC TURNS TO RACHMANINOFF, TCHAIKOVSKY
EDITORIAL: LINES AND CHORDS AND THE MUSICIANS WHO LOVE THEM
BRONFMAN BEAR HUGS ROCKY 3 WITH ST. PETERSBURG BAND
DAVID DANIELS EXPERIMENTS WITH RAVEL AND BERLIOZ - WITH LIMITED SUCCESS
TERFEL SCORES IN VARIED SONG RECITAL
OONY’S ADRIANA LECOUVREUR - THRILLS, TREACLE AND TEARS
ZANDER'S MAHLER NINTH FAILS TO LIVE UP TO (HIS OWN) HYPE
SLATKIN, VOLODOS, NEW YORK PHIL, IN 20th CENTURY EAST EUROPEAN PROGRAM
GOOD, SOLID, TRADITIONAL BRAHMS FROM ABBADO AND PHILLY
EDITORIAL: TO HELL WITH YOUNG PEOPLE
RIENZI'S TENTATIVE TRUMPETS TAKE PARIS
THE TALICH QUARTET: AN ONGOING TRADITION OF GREATNESS
METZMACHER MAKES DEBUT WITH NY PHILHARMONIC
PIANIST JENNY LIN'S ELOQUENT CASE FOR MODERN WOMEN COMPOSERS
MONTEVERDI'S POPPEA FROM BOLOGNA: ALMOST AUTHENTIC, PRACTICALLY IDEAL
ESA-PEKKA SALONEN: THE INTERVIEW
WAR AND PEACE HITS THE MET: THE ULTIMATE OPERATIC BANG FOR YOUR BUCK
LEVINE AND MUNICH, PART 2: A LITTLE DIVERSITY NEVER HURTS
LEVINE AND MUNICH: GRAND AMBITION, MIXED RESULTS
TILSON THOMAS AND SAN FRANCISCO LIVE UP TO THE HYPE, AND THEN SOME
GLYNDEBOURNE’S FIDELIO AND RODELINDA AT PARIS’ CHATELET
ROBERTSON LEADS ST. LOUIS: A GOOD TIME WAS HAD BY ALL
CHAILLY'S MAHLER: A GRAND TRADITION ENDS
HAHN’S ELECTRIC SHOSTAKOVICH WITH CONCERTGEBOUW
TWO GLASS PREMIERES LEAVE FANS SATISFIED
MOZART ON DVD – THE GOOD, THE BAD AND THE UGLY
TAVENER WORLD PREMIERE - LAMENTATIONS, LAMENTATIONS AND MORE LAMENTATIONS
RARE GERHARD AND IMMACULATE FALLA CAPTIVATE AT CARNEGIE
AIMARD, ESCHENBACH AND PARISIAN ORCHESTRA DAZZLE
MAHLER LITE AT THE NY PHILHARMONIC
QUICK-WITTED, CHARMING NOZZE AT THE MET
TETZLAFF AND ANDSNES: FIRE AND ICE IN NEW YORK
RADU LUPU'S GLORIOUS SCHUBERT
LEVINE'S MET ORCHESTRA TRIUMPHS IN BERG AND MAHLER
CLEVELAND ORCH. AT CARNEGIE: THOUGHT-PROVOKING PROGRAMS , PEERLESS PLAYING
TOSCA STORMS THE BASTILLE: MASSIVE CASUALTIES REPORTED
PHILADELPHIANS, PERAHIA BASK IN BEETHOVEN AT CARNEGIE HALL
THIELEMANN UNIMPRESSIVE WITH THE NEW YORK PHIL; MOZART SUBS FOR JOHN ADAMS
VIENNA MEETS ISRAEL IN NEW YORK
LINCOLN CENTER'S RACHMANINOV SERIES ENDS WITH A BANG
GERGIEV AND VERDI'S DON CARLO - A MARRIAGE THAT NEEDS WORK
THE MET'S FANTASTIC NEW FRAU
MAGNIFICENT MESSIAH IN MONTREAL
GERGIEV AND TORADZE: ONE, PROKOFIEV: ZERO
JUILLIARD AND MAHLER TRIUMPH WITH THE RESURRECTION

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