This is the third volume in Cedille’s ongoing series of Shostakovich quartets, enriched by additional works by the composer’s Soviet colleagues, and like the two

This is the third volume in Cedille’s ongoing series of Shostakovich quartets, enriched by additional works by the composer’s Soviet colleagues, and like the two
Originally issued on CD in tandem with Malcolm Sargent’s not To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
What on earth is going on here? This recording evidently To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Shostakovich’s cantata The Execution of Stepan Razin is a moving and exciting late work audibly related to the Thirteenth Symphony, “Babi Yar”. Both use texts
It is not surprising to find Leonard Bernstein and the To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Originally issued on CD in tandem with Malcolm Sargent’s not To access this content you must login to your Insider account, or purchase a subscription
What on earth is going on here? This recording evidently To access this content you must login to your Insider account, or purchase a subscription
It is not surprising to find Leonard Bernstein and the To access this content you must login to your Insider account, or purchase a subscription
For some weird reason, these stereo performances never made it […]
Yes, the Fourth! Singleton recordings of this symphony are simply […]
For this recording, an early co-production with Deutsche Grammophon, Karel […]
This is the third volume in Cedille’s ongoing series of Shostakovich quartets, enriched by additional works by the composer’s Soviet colleagues, and like the two
Shostakovich’s cantata The Execution of Stepan Razin is a moving and exciting late work audibly related to the Thirteenth Symphony, “Babi Yar”. Both use texts
The primary reason to care about this recording is the presence of two Erwin Schulhoff works: the tempest in a teapot Quartet No. 1 and
The Horowitz here is Joseph, the critic and music historian, not Vladimir, aided and abetted by noted Dvorák scholar Michael Beckerman of NYU, whose work
Claus Peter Flor recorded this symphony for RCA, and rather well, but this remake is finer still. The Eighth benefits from as fresh and lively
This attractive three-disc set claims to present the “complete” overtures and tone poems, and it does nothing of the kind. What it does offer is
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