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There were some interesting moments in these performances that originally To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Nielsen was a high energy composer, perfectly suited to a “muscle” orchestra like the New York Philharmonic. Listening to these two performance we are reminded
This is Volume 62 in Hyperion’s epic and seemingly endless To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
This first volume in what promises to be a complete traversal of Danish composer Carl Nielsen’s four string quartets ought to make many new friends
This 1953 recording, in good, re-worked mono sound, still has much to recommend, but it remains somewhat problematic as well. The Marguerite of Victoria de
Reviews
There were some interesting moments in these performances that originally To access this content you must login to your Insider account, or purchase a subscription
This is Volume 62 in Hyperion’s epic and seemingly endless To access this content you must login to your Insider account, or purchase a subscription
Giuseppe Sinopoli could be too smart for his own good. […]
They’re at it again. Just as Elgar may have stopped […]
Though made less than a decade before his last studio […]
In his notes for this release, Tully Potter makes two […]
Nielsen was a high energy composer, perfectly suited to a “muscle” orchestra like the New York Philharmonic. Listening to these two performance we are reminded
This first volume in what promises to be a complete traversal of Danish composer Carl Nielsen’s four string quartets ought to make many new friends
This 1953 recording, in good, re-worked mono sound, still has much to recommend, but it remains somewhat problematic as well. The Marguerite of Victoria de
Scaling the Mahler Ninth Symphony’s immense instrumental forces and harrowing emotional extremes down to chamber-sized dimensions may sound downright crazy. Thanks to David Bernard and
This opera has been referred to as Richard Strauss’ “bel canto” opera, but it’s impossible to figure out why. It requires a great dramatic soprano
As a Strauss conductor, David Zinman’s interests lie more with making sense of the composer’s complex linear strands than reveling in his dazzling sonorities and
Mendelssohn (Random Reviews from the Overflow Room 10)
Discovering the widest range of Mendelssohn's works was one of the happiest musical experiences of my life. It can be yours too.
Review: Gardner Delivers Gold in Dvořák and Schumann
Dvořák: Symphony No. 7
Schumann: Symphony No. 2
London Philharmonic Orchestra, Edward Gardner (cond.) LPO
Review: First-Class Sibelius 5, Swanwhite and Serenades
Sibelius: Symphony No. 5; Serenades; Two Serious Songs; Swanwhite Suite. Christian Tetzlaff (violin), Finnish Radio Symphony Orchestra, Nicholas Collon (cond.) Ondine
Mendelssohn! (Random Reviews from the Overflow Room 9)
The fun never ends! Marvelous symphonies, chamber music, vocal works, and gems for the keyboard.
Review: Nelsons' Big Shostakovich Box--The Final Verdict
Shostakovich: Symphonies, Concertos, Incidental Music, Lady Macbeth of Mtsensk District. Soloists, Boston Symphony Orchestra, Andris Nelsons (cond.) DG
15 Great Composers Who Wrote Buckets More Music Than Gets Played
15 Great Composers Who Wrote Buckets More Music Than Gets Played
Vivaldi
Handel
Gluck
C.P.E. Bach
Boccherini
Haydn
Rossini
Donizetti
Mendelssohn
Saint-Saëns
Dvořák
Rimsky-Korsakov
Villa Lobos
Milhaud
Martinu
This year’s Tanglewood on Parade, a much-anticipated tradition that dates to 1940, will celebrate the life and legacy
April 24, 2024—GRAMMY®-winning production house PARMA Recordings announced today its acquisition of Albany Records. The classical label is
Parry Sound, Ontario, Canada—The Festival of the Sound is celebrating big this summer with an incredible line-up of
