Since Handel wrote relatively little solo organ music, David Yearsley has decided to make amends by brilliantly and stylishly appropriating selections from the composer’s vocal

Since Handel wrote relatively little solo organ music, David Yearsley has decided to make amends by brilliantly and stylishly appropriating selections from the composer’s vocal
I have finally figured out that like anchovies, you can’t convince people to like the countertenor voice if they don’t “get” it. Their infantile squeamishness
In his booklet note for this release. Harry Christophers spouts the usual nonsense about “stripping away the cobwebs” from this music using period instruments, blah,
This almost unknown, large scale (almost 3 hour) oratorio, The To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Handel’s unrivaled masterpieces of the concerto grosso form and style—his To access this content you must login to your Insider account, or purchase a subscription for $5 monthly, or $49 annually.
Reviews
This almost unknown, large scale (almost 3 hour) oratorio, The To access this content you must login to your Insider account, or purchase a subscription

Handel’s unrivaled masterpieces of the concerto grosso form and style—his To access this content you must login to your Insider account, or purchase a subscription

Death has never been an impediment to a new release. […]

The gem on this disc is Koechlin’s remarkable orchestration of […]

Profil’s boxed set purportedly devoted to Sviatoslav Richter’s Schubert “live […]

These are excellent performances across the board, and the only […]

Since Handel wrote relatively little solo organ music, David Yearsley has decided to make amends by brilliantly and stylishly appropriating selections from the composer’s vocal

I have finally figured out that like anchovies, you can’t convince people to like the countertenor voice if they don’t “get” it. Their infantile squeamishness

In his booklet note for this release. Harry Christophers spouts the usual nonsense about “stripping away the cobwebs” from this music using period instruments, blah,

Krystian Zimerman’s first solo release in years showcases both the pianist’s painstaking workmanship and his micromanaging tendencies. The micromanager prevails in the B-flat sonata, particularly

There’s nothing remotely “Impromptu” about Tzimon Barto’s Schubert Impromptus, where nearly every phrase is vulgarly over-articulated, over-stressed, dynamically exaggerated, and underlined in multi-colored ink, as

Unlike his massive orchestral tone poems, most of Josef Suk’s piano music is smaller in scale and often elegiac in nature. Yet it also is
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Ives! (Random Reviews from the Overflow Room 7)
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Random Reviews of BOOKS on Music (No. 19): Schumann, Schoenberg, and Music Writing
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The Five Greatest Mendelssohn Conductors
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Ives' First Piano Sonata is much less well-known than his Second, nicknamed the "Concord," but it's an equally gutsy, large-scale work. In this batch of CDs, it turns up a couple of times, along with plenty of other goodies. ...
This year’s Tanglewood on Parade, a much-anticipated tradition that dates to 1940, will celebrate the life and legacy
April 24, 2024—GRAMMY®-winning production house PARMA Recordings announced today its acquisition of Albany Records. The classical label is
Parry Sound, Ontario, Canada—The Festival of the Sound is celebrating big this summer with an incredible line-up of
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