So far as I can tell, this release marks the first time that both Liszt and Lyapunov sets of Twelve Transcendental Etudes have been paired
Liszt’s influence on his contemporaries, his younger colleagues, and today’s piano composers is the subtext of this excellent release. As I’ve previously noted in reviews,
Sergey Lyapunov’s music is so derivative that it’s almost impossible to detect any sign of an independent personality at work. The strongest influence on his
Listening to relentlessly derivative, unoriginal music such as this really enhances your appreciation for the great stuff. Still, there’s quite a bit here to enjoy.
Hyperion reaches the 30th installment of its “Romantic Piano Concerto” series with this program of works by Sergei Lyapunov (1859-1924). A highly accomplished pianist in
The twin influences of Borodin and Tchaikovsky hang over Sergey Lyapunov’s first symphony to the degree that it sounds like the musical equivalent of gene