The honeymoon was still in full swing between Georg Solti and the Chicago Symphony when they recorded Berlioz’s Symphonie fantastique in 1972, three years after
Georg Solti’s Mahler Eighth always has stood high on the list of recommendable versions, even for people who don’t normally warm to his nervy, high-powered
Overall, Georg Solti’s London Symphony recordings of Mahler Symphonies Nos. 1, 2, and 9 stand as his finest contributions to the composer’s discography. This 1964
These performances by the Chicago Symphony under Georg Solti are of exceptional quality, fusing phenomenal orchestral virtuosity with the conductor’s famous authority in this repertoire,
This is a stumper: If you had a 46-year-old recording of a great Isolde in her prime and in one of her greatest roles, in
This recording was considered one of the outstanding Mahler Eighth’s of the LP era, at a time when it, Bernstein’s, Hatink’s, and Abravanel’s were all
The spontaneous interplay, rhythmic vivacity, and virile fingerwork Georg Solti and Daniel Barenboim bring to their collaboration in Mozart’s Double Concerto is positively addictive. Solti’s
This complete performance of Rigoletto from 1964 includes not only the Duke’s second-act cabaletta, but more gloriously, the cadenza that Verdi composed (and not an
This six-disc set gives you most of Tippett, aside from the operas, large choral works, and some late orchestral and chamber pieces. With the exception
Georg Solti offers a big Bohème, with many moments of real excitement along with some strangely slow tempos in the third act and a bit