Canteloube’s irresistible Songs of the Auvergne never fail to give at least some satisfaction, even in the most sanitized, glossiest versions. Natalia Davrath’s idiomatic recording
In my review of Testament’s previous issue of Poulenc and Delibes ballets led by Roger Désormière (type Q6960 in Search Reviews) I noted that the
Roger Désormière is perhaps best known among record collectors as the conductor of the classic 1941 Debussy Pélleas et Mélisande, but Testament’s series of reissues