If you heard the new Hilliard Ensemble recording containing 18 of Machaut’s motets (type Q7518 in Search Reviews) and just have to have more–or if you’re an early-music completist with a penchant for 14th-century vocal works–you’ll definitely want to check out this 2-CD collection containing all 23 of Machaut’s motets plus variant renditions of several. Not only is this program performed with mixed voices, that is, different combinations of male and female singers (in addition to some solo-voice settings), but we also hear judiciously fashioned and skillfully wrought instrumental accompaniments (flute, harp, viele, percussion) and a few instruments-only tracks. Unlike the more seamlessly blended sound of the Hilliards, these singers have a more vibrant, earthier quality that conveys an equally satisfying if differently realized sense of the style and overt emotion embodied in these pieces.
The very detailed liner notes explain not only the specifics of such terminology as duplum, triplum, talea, and hockets, but also the ensemble’s decisions regarding manuscripts, edition (Léo Schrade’s), and performing style (even their reasons for using old French pronunciation). Ultimately, the most important thing is the musical effect of these performances, and although 90 minutes may be a lot to absorb at one sitting, the variety of voices, the decision to “deconstruct” certain motets by performing voice parts separately, and the inclusion of instruments makes for fascinating and enjoyable listening–and it’s performed by musicians who obviously know and love these rarely-heard pieces. The sound is excellent. [3/31/2004]
