Richard Strauss: Tone Poems/Abbado

Victor Carr Jr

Artistic Quality:

Sound Quality:

This 1983 Strauss album was made toward the end of Claudio Abbado’s London Symphony period, which yielded some of his finest recordings. Abbado’s readings are propulsive and exciting, with none of the self-consciousness and over-fastidiousness that informed some of his later work. Don Juan is particularly stimulating even if it doesn’t reach the intensity of Szell or Kempe–conductors who also bring a bit more drama and ferocity to Death and Transfiguration, though Abbado’s version, with its wealth of orchestral detail, is quite impressive. Abbado’s Till Eulenspiegel is alive with bright humor and vivid color. The London Symphony performs like the great orchestra it is, with virtuoso contributions from every section, especially the strings in Don Juan. The early digital recording displays its age only in the slight distortion at the climaxes, but is otherwise excellent. A welcome re-release from Arkivmusic.com. [1/15/2007]


Recording Details:

Reference Recording: Szell (Sony), Kempe (EMI)

RICHARD STRAUSS - Don Juan; Till Eulenspiegel's Merry Pranks; Death and Transfiguration

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Benjamin Bernheim Rules as Met’s Hoffmann
    Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
  • RIP David Vernier, Editor-in-Chief
    David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
  • Finally, It’s SIR John
    He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related