BOULT CONDUCTS HOLST

ClassicsToday

Artistic Quality:

Sound Quality:

Adrian Boult brought tremendous authority to any recording he made of 20th century British works, having known the composers and often having conducted the premiere performances. These recordings, made in the early 1970s, demonstrate that age took not a bit of his musical command or energy on the podium. Boult was particularly associated with Gustav Holst (he conducted the public premiere of The Planets). Since this compilation presents some of the crown jewels of Lyrita’s history, anyone with any interest in British music of the first third of the 20th century should consider this CD a mandatory acquisition. Beni-Mora is unusually picturesque and passionate; the Fugal Overture’s wit and lyricism belies the impression of stodginess its title suggests; and the virtually unknown Japanese Suite charms and invigorates. The 30-year-old sound is still better–cleaner, clearer, and more natural–than most of the stuff major labels are putting out in standard CD sound today. [3/12/2008]


Recording Details:

Album Title: BOULT CONDUCTS HOLST
Reference Recording: This one

GUSTAV HOLST - A Fugal Overture Op. 40 No. 1; A Somerset Rhapsody Op. 21 No. 2; Beni-Mora--Oriental Suite Op. 29 No. 1; Hammersmith--A Prelude & Scherzo for Orchestra Op. 52; Scherzo (1933-1934); Japanese Suite Op. 33

  • Record Label: Lyrita - 222
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Benjamin Bernheim Rules as Met’s Hoffmann
    Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
  • RIP David Vernier, Editor-in-Chief
    David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
  • Finally, It’s SIR John
    He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related