Jitka Hosprová’s all-Czech program makes a fine showcase for the viola, as well as for her considerable technique and skill with the instrument. The Martinů Rhapsody-Concerto is the most familiar of the three works, yet Hosprová makes it sound newly-minted through her warm, robust tone, idiosyncratic phrasing, and (very important in this music) impeccable rhythmic acuity.
Following immediately after the Martinů, Zdeněk Lukáš’ Viola Concerto seems at first to inhabit a similar aesthetic and sound-world (though without the former composer’s trademark syncopation). However, Lukáš soon distinguishes himself with his individual melodic style and striking coloristic effects, notably the triple-meter brass choral intoned over military drums in the first movement. The second movement features a lovely hymn, as well as solo viola and flute interplay that call Dvorák to mind. Hosprová invests Lukáš’ classically-styled solo writing with the same verve and virtuosity she brings to the Martinů, making this an engaging new acquaintance.
The Stamitz concerto obviously is in the Mozartean mold, even down to the extended (nearly 2 1/2 minutes) first-movement introduction. It’s all of delightful singing melodies and virtuoso viola writing (with colorful flourishes in the big cadenza). Hosprová is also the conductor of this program, and it’s impressive how she leads the Prague Chamber Orchestra (especially in the rhythmically challenging Martinů) with such a sure hand while simultaneously focusing on her solo performance. The recording is vivid and bright, with only slight spotlighting of the soloist. A most unusual and rewarding collection. Highly recommended. [1/14/2011]
