While at first these two works would seem to be odd disc mates, they are similar in that they are both part concerto and part symphonic poem. Hector Berlioz’s Harold in Italy casts a viola as the title character, in this case handsomely portrayed by Daniel Benyamini in big, rich tones, accompanied with much zest by Zubin Mehta and the Israel Philharmonic. The inner movements flow beautifully, while the outer ones are fleet and exciting, especially the festive finale–even if the orgy doesn’t reach the frenzy of Charles Munch and the Boston Symphony on RCA.
Ernest Bloch’s Voice in the Wilderness for orchestra with a cello obbligato is in the tradition of his earlier great success, Schelomo. The six interconnected movements cover the entire range of emotions, all made palpably real by János Starker’s solo work and Mehta’s and the IPO’s intense performance. This is a powerful and beautiful work, and a welcome addition to any collection. Decca has managed to tame the harshness of Mann Auditorium, and give us the Israel Philharmonic in a warm, full acoustic.
