Though billed as a celebration of the artistry of violinist Oleh Krysa, the real star of this release is composer Boris Lyatoshynsky (1895-1968). The program opens with the acerbic sounds of Lyatoshynsky’s 1926 Violin Sonata, a classically proportioned, 12-tone composition that employs a mode of expression reminiscent of Berg. The following Trio No. 1 (completed one year earlier) opens with a serenely affecting melody set against cascading piano runs, evoking an altogether different sound world with its Scriabinesque chromaticism. Paradoxically, the latest piece, the 1942 Trio No. 2, sounds the earliest, recalling early Rachmaninov with its rich, late-romantic style.
The Sonata understandably provides the biggest showcase for Krysa’s talents, which are considerable indeed. His unerring pitch and impeccable musicianship lend an engaging lyricism to Lyatoshynsky’s prickly dissonances while allowing the ear to focus more on the music’s brilliant construction. The Trios show Krysa to be a sensitive and intuitive collaborator as he partners with cellist Natalia Khoma and pianist Tatiana Tchekina. Still, Krysa’s warmly singing tone and impressive artistry continuously come to the fore, particularly in the luxuriously appointed sonorities of Trio No. 1. The recording presents the string players in ringing clarity, but unfortunately drapes a sonic gauze over the piano. Still, the instruments are balanced well enough for you to hear all the intricate and finely woven detail of Lyatoshynsky’s compelling music, making this disc an important acquisition.
