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Erno Dohnányi’s solo piano music is slowly but surely getting its due, and listeners are discovering that he’s not just “the Hungarian Brahms” but also
Widor’s reputation rests so solidly on his organ symphonies that the rest of his considerable output has been almost totally ignored. This is a pity.
Ever wonder how Scriabin’s Divine Poem (Symphony No. 3) might sound on two pianos? Not bad at all, judging from a rare transcription by one